• You think I’d be settled by now.

    I’ve had my share of ups and downs.

    You think I would have learned.

    Well, I’ve got money to burn,

    So much forgiveness to earn.

    Yet here I am on my way downtown

    Where all of the girls get dolled up—makeup and high-heeled shoes.

    Citrus fruit and magnolia eau de parfum.

    Hell, I don’t know where I’m going in life,

    But I know where I’m going tonight.

    In the morning I’ll still feel the glow.

    Come noon I’ll be feeling so alone.

    Nothing lost, nothing to show.

    There ain’t no love songs for loners, it’s a losing game.

    And I’ll admit I’m low, but I’m not low enough to make a change

    So, I don’t know where I’m going in life,

    But I know where I’m going tonight.

    I know where I’m going tonight.

    I know where I’m going tonight.

  • You’re fighting for her love, but you’re in an empty ring.

    Every round, your punch-drunk heart goes down without a swing.

    She don’t care what you’ve learned or what you could become

    when you are the one before the one.

    You try to find some peace of mind but can’t stop wondering

    If all the time you gave to her ever meant a thing.

    Cause she’s moved on and found herself a Hollywood kind of love,

    and now you’re just the one before the one.

    You are the one broken heart she’ll remember when she’s closing her eyes next to his.

    You are the last goodbye, the last one to make her cry.

    You are the one before the one.

    Just when you think you’re doing fine you find out she’s engaged.

    You try and try with all your might but just can’t look away.

    Sure as day she’s smiling now like she’s never done.

    She’s not thinking of the one before the one.

    You are the one broken heart she’ll remember when she’s closing her eyes next to his.

    You are the last goodbye, the last one to make her cry.

    You are the one before the one.

    You are the one before the one.

    You are the one before the one.

  • All day long I stare at a computer screen.

    All night long I stare at the ceiling hoping to dream

    Until I get up out of bed and turn on the TV.

    And it says to me, “son, you’re not in the place you’re supposed to be.”

    Oh, Lucille, How’d we ever get this far?

    From where we were to wherever the hell you are.

    Somewhere you’re reading bedtime stories softly to your kids

    While I’m heating up my dinner in the microwave again.

    I tried to be a good man, sometimes I think I am.
Well, you always said I had such a good imagination


    Huh Lucille? How’d we ever get this far?

    From where we were to wherever the hell you are.

    I’ve been learning how to manage; how to mitigate the damage

    when nothing goes the way you planned it.

    Oh dammit all, Lucille.

    Hey Lucille, How’d we ever get this far?

    From where we were to wherever the hell you are.

    Hey Lucille, did you ever leave your mark?

    Like we talked about when we still got a thrill out of the dark.

    I’ve been learning how to manage, how to mitigate the damage

    when nothing goes the way you planned it all.

    Oh Lucille, Oh Lucille, Oh dammit all Lucille.
 Oh Lucille, Oh Lucille, Oh dammit all Lucille.

  • The snow is coming down this morning. It shows no signs of letting up.

    There’s not a single soul out on this county road, just me in this old Jimmy truck.

    The wind is coming through the floorboards. I feel the draft on my toes.

    Your flight lands in 20 minutes or so. I still got 50 miles to go.


    Been a few years since you moved away. A couple more since I last felt your touch.

    I still keep your photo in my old bill fold. I’d never let you know as much.

    I wonder what you think of me now. I wonder if you see me the same.

    Damn this snow sure is coming down. I wonder if you’re nervous on that plane.


    These windshield wipers ain’t doing much. I pull behind a big snow plow.

    Rubber meets the road. Oh, honey, here I go. I’m in that home stretch now

    For Hancock International. I see the lights dimly through the squall.

    Pull into that parking garage, heart beating like a hammer on the wall.

    Heart beating like a hammer on the wall.

    Heart beating like a hammer on the wall.

  • I want to write a song. The kind that one day might make you sing along.

    I want to make you feel the way I do when I’m crawling at your heels.

    Watch the maple turn red again wondering when you might see what’s right beneath your toes.

    Oh, I suppose it’s good enough to be this close.

    I want you to see my face and all of its intricate shapes.

    I want you to see the stars in my eyes when you’re staring up at the midnight sky.

    Watch the maple turn to bone and shiver in the cold. You still don’t see what’s right beneath your nose.

    Oh, I suppose it’s good enough to be this close.

    I know it wouldn’t matter.

    I know it wouldn’t matter at all.

    Still, all I do; all I do is fall fall fall for you.

    Watch the maple turn red again still reticent to let you know what you mean to me.

    Oh, I suppose it’s gonna have to be good enough to be this close.

  • Heading home tomorrow from Baltimore Harbor. Not sure when I’ll be coming back.

    She’s looking for an answer. Well, I don’t know it. And if she knows the truth I never noticed.

    We’re dancing in the kitchen to A Waltz About Whiskey, trying to stay awake.

    But it’s hard to keep time when your time is borrowed, and it’s getting late.

    Staring up at the skylight, sun is coming through; slurring my thoughts and blurring my sight.

    She’s laying there beside me trying to find a reason why we made the choice we did last night.

    Listen to that clock on the wall like some metronome ticking at a God-awful pace.

    But it’s hard to keep time when your time is borrowed, and it’s getting late.

    Sometimes love is easy, but mostly it’s just hard work—promises we’re not sure we can keep.

    Then you add the miles in, state lines and driving, suddenly it’s out of reach.

    Back home in my living room alone, whiskey on ice.

    Listening to Mandolin Orange, wishing she was here to dance with tonight.

  • Red paint on the wall; a message to us all that says, “eat the rich.

    Make the ruling class pay for their own crisis.”

    Well, the Governor did decree that everyone is free to do as they please;

    “so long as you vote for me in the primaries.”

    “Oh pretty please?”

    Hard to believe we’re gonna make it out alive.

    I guess I should get in line. I’m number eight four nine and I’ve been here all day,

    When a grey-haired woman says, “sir, you’re standing in my way.”

    I went down to see my father. We sat outside under the telephone wires

    and had a full conversation in complete and utter silence.

    Oh what a feeling.

    It’s so healing running out of time.

    So, this is how it feels to lose all four of your wheels In the middle of the road

    with no inclination of how the hell to get back home?

    I’m rolling over in my grave. I know that I haven’t made it there quite yet.

    Come by next week and check on my progress.

    Oh, bring flowers please.

    It’s hard to believe we didn’t make it out alive.

    “Now serving, number 849.”

  • Item descDown at the Franklin on a Thursday night waiting on an order of greens.

    The regulars are at the bar going on and on and on about the way shit used to be.

    How the steel mill done sold out, how they might as well close it down, how nothing in this town feels right.

    Cities aren’t built in a day but they damn sure come down overnight.

    Hell, we swore that we could make it here on hard work alone;

    on the copper that they named this city for.

    It’s so easy to dig up the past; so hard to love where you’re at.

    No amount of progress changes that.

    Back down on Varick Street once again. Two dollar pints with some old high school friends.

    Trying our best not to blend in with the rest of our classmates we tried to forget.

    We turned our noses in the air like we were better off anywhere; anywhere but here.

    So we packed our bags on the day we turned eighteen and ran away for any place where no one knew our names.

    We swore that our convictions were as clear as the cups

    on the bar tops in the town where we grew up.

    It’s so easy to dig up the past; so hard to love where you’re at,

    and no amount of leaving changes that.

    I fell in love in VA, but somebody took my place

    while I was waiting for a better one to come along.

    Then I did the same thing in a couple other states

    while I was longing for the ones that I did wrong.

    You’re always longing for the ones that you do wrong.

    I was biting my own tail like an animal that's trapped

    doing anything he can to get it back.

    It’s so easy to dig up the past, so hard to love where you’re at.

    No amount of living changes that.
 Until you love what little bit you have.

  • All songs written by Michael Paul Lawson (BMI)

    Produced by: Ken Coomer

    Recorded by: Ken Coomer at Cartoon Moon Studios in Nashville, TN

    Assistant Engineer: Alberto Sewald

    Mixed by: Gabe Masterson at Cartoon Moon Studios in Nashville, TN

    Mastered by: Jonathan Pines at Private Studios in Urbana, IL

    Art Direction and Photography: Shaina Golay

    Cover Illustration: Constantine Dako

    Main Band

    Laur Joamets: Electric Guitar, Baritone Guitar, and Acoustic Guitar

    Billy Mercer: Electric Bass and Upright Bass

    Ken Coomer: Drums and Percussion

    Michael Paul Lawson: Vocals and Acoustic Guitar

    Additional Musicians

    Michael Webb: B-3 Organ and Harmonium

    © & ℗ 2022 Michael Paul Lawson

  • I’ve been told that I’m cold, felt better off alone.

    I hold on to things a bit too long.

    My hands were tied before I even tried;

    I still don’t know what I’m trying to find

    I fought myself time and time again.

    I lost so many times I can’t remember all of them.

    I went toe to toe, even though I know

    that there’s just some fights you’ll never win.

    I swore that I’d change, never be the same.

    I still do the same things everyday.

    I couldn’t drop the spade even as it dug my grave,

    I let it bury me.

    A man can find a sin in every small thing.

    I’ve had so many I can’t remember all of them.

    I went toe to toe, even though I know

    that there’s just some fights you’ll never win.

    I see it in the faces of all the broken men

    watching from the ringside with their pad and pen.

    The ones who spent their lives with their backs agains the ropes,

    who never took a fighter’s chance, never saw how far

    they can go.

    It’s not about the ending that matters in the end,

    so come to grips and turn your failures into friends.

    Go toe to toe, even when you know

    that there’s just some fights you’ll never win.

  • I couldn’t close my eyes,

    so I’m driving down these backroads trying to ease my racing mind.

    It’s another moonless night. The only color showing

    is when the heat lightning strikes.

    It ain’t rained in weeks.

    I’m suffocating in this heat

    like a lighting bug trapped inside a bottle.

    Drunk on memories and throttle.

    The window’s down but I can’t feel a thing.

    Steering wheel reminds me where there used to be a ring.

    Using miles like lovers with their rhythmic hum;

    keeping time with each and every passing one.

    Lately I ain’t been sleeping right.

    Been down this road at least a thousand times,

    and you won’t change your mind.

    It’s another hard earned lesson in my way.

    Another chance that’s blown up in my face

    something awful.

    Drunk on memories and throttle.

    Still I ain’t been sleeping right.

    This road’s the same each and every time,

    but you still won’t change your mind.

    There’s not a cloud as far as I can see.

    I’m suffocating in this heat

    like a lighting bug trapped inside a bottle.

    Truly something awful.

    It’s plain as gospel,

    drunk on memories and throttle.

  • A wild heart and tattooed skin,

    she’s not around even when she is.

    On the verge of leaving her when she cries to me.

    Burdened by the tears that flow

    like wine for the sorrowful; beauty dulls the sense that knows.

    On the verge of letting go, but she’s tied to me.

    There’s all this blood on my hands,

    and there’s no ground where I stand.

    I’m damned if I stick around, damned if I bail.

    Loving her is like holding a wolf by the tail.

    Turn around and face your ghost,

    the one that follows you the most.

    Starving for the arms that hold is famine like you’ve never know;

    the hunger in my bones despises me.

    There’s all this blood on my hands,

    and there’s no ground where I stand.

    I’m damned if I stick around, damned if I bail.

    Loving her is like holding a wolf by the tail.

    I can’t let her go.

    I can’t hold her no more.

    With all this blood on my hands,

    and no ground where I stand.

    I’m damned if I stick around, damned if I bail.

    Loving her is like all this blood on my hands.

    Damned if I stick around, damned if I bail.

    Loving her is like holding a wolf by the tail.

  • Tell me where it says a man must pledge

    allegiance with no questions asked,

    or be labeled a traitor by a man

    with a rebel flag stitched on his hat.

    The chorus cries out, they scream and they shout,

    ”what right have you got to grieve?

    You made your millions playing a game,

    if you’re so unhappy then leave.”

    And outside the walls where the wild things are,

    where no one could ever survive.

    And outside the walls where the wild things are,

    they drink and they dine and they dance in the fire,

    happy they’re on the outside.

    The knife that they dig so deep in your skin

    is applied with a generous twist.

    They remove it an inch, they laugh and they grin,

    and say, “look how much better this.”

    ”You should be grateful, you should be proud.”

    That’s only halfway true.

    They’ll make you a devil the second you ask

    for the freedom that they promised you

    And outside the walls where the wild things are,

    where no one could ever survive.

    And outside the walls where the wild things are,

    they drink and they dine and they dance in the fire,

    happy they’re on…

    We’ve been waging a war since the day I was born,

    and that’s quite a long time ago.

    So it comes as no shock that we can’t put a stop

    to the fighting within our own home.

    And the violence that lives

    in the ground that we give our lives to call it our own,

    runs down through the trees, in the roots it seeps

    into everyone that we know.

    And outside the walls where the wild things are,

    where no one could ever survive.

    And outside the walls where the wild things are,

    they drink and they dine and they dance in the fire,

    happy they’re on the outside.

    They drink and they dine and they laugh all the while,

    happy they’re on the outside.

  • I watched them put my father in a cop car;

    slurred speech dragged across the front yard.

    As time went by I wondered if he’d call me

    to say hello, or maybe just I’m sorry.

    15 years had passed before I saw him

    in a dim lit bar just outside of Austin.

    There I found the strength I need to not point the blame,

    because in his shoes I’d probably do the same.

    We don’t choose our families or the place that we are born.

    We don’t choose the problems that keep our families torn.

    We all try to make it work with the little bit we have,

    and try to do the best that we can.

    Well a man must feel he has nothing left to offer

    to never try and make amends.

    Was it your father’s quiet leaving?

    Or the madness in your mother’s head?

    There I found the sight I need to see it from his view;

    that he was only doing what he knew.

    We don’t choose our families or the place that we are born.

    We don’t choose the problems that keep our families torn.

    We all try to make it work with the little bit we have,

    and try to do the best that we can.

    The best that we can.

    The best that we can.

    The best that we can.

    I swore to God I never would get caught up in all this,

    but I’m more like him than I care to admit.

    We don’t choose our families or the place that we are born.

    We don’t choose the problems that keep our families torn.

    We all try to make it work with the little bit we have.

    We try to do the best, we try to do the best,

    we try to do our best.

    We try to do the best that we can.

  • I quit this goddamned job, I’ll leave it where it be.

    Take me to that river, St. Lawrence calling me.

    I’ll work these frozen waters ‘til my hands are cracked and dry.

    The wind tears through your spine so cold, you’ll wish you weren’t alive.

    I’m the Riverman.

    You haven’t seen a winter like the one in 98.

    I lost some men under the ice waiting on the sun to break.

    The rain came down in sheets, it fell at least a week.

    Tore up everything I built, now I have to leave.

    I’m the Riverman

    And I make my way out west with the river at back.

    There I’ll start from scratch, there I’ll start from scratch.

    In the Arizona sun with my mustangs and my gun.

    Like the river I will run;

    I’m the Riverman.

    Lost a dozen cattle about half a mile from here.

    The well went dry last summer, ain’t seen rain in near a year.

    Working in the fields, hoping for the yield.

    How that saying go? You lose everything you hold dear.

    I’m the Riverman.

    Take me where I know it’s 25 below.

    That’s where I call my home, that’s where I call my home.

    Take me where you find the channels deep and wide;

    I’m the Riverman.

  • Your eyes fog like the smokies whenever you hear her name.

    You turn as grey as a cold winter’s day, and try to act okay.

    You don’t want to burn in your skin,

    but you’re swallowing your pain like it’s medicine.

    Trust me brother, I know where you’ve been;

    I’ve stood in that spot.

    Don’t go raging through the valleys.

    Don’t go burning all the cities to the ground.

    Don’t turn your back on everything that you love

    just because she wasn’t.

    Another night another tired vignette.

    Three sheets to the wind, smelling like cigarettes.

    Tell your friend you’e got it under control.

    You know damn well that you don’t.

    Don’t go raging through the valleys.

    Don’t go burning all the cities to the ground.

    Don’t turn your back on everything that you love

    just because she wasn’t.

    You don’t want to go with those women just to get your mind off of it.

    You’ll find no peace.

    Don’t go raging through the valleys.

    Don’t go burning all the cities to the ground.

    Don’t turn your back on everything that you love.

    Don’t turn your back on the morning sun.

    Don’t turn your back just because

    she wasn’t.

  • All Songs Written and Performed by Michael Paul Lawson

    Produced, Engineered, and Mixed by Daniel Mendez

    Recorded at Matchbox Studio, Austin, TX and Modern Electric Sound Recordings, Dallas, TX

    Mastered by Ed Brooks at Resonant Mastering

    Additional Engineering - Jay Stewart

    Studio Assistant - Logan Garza

    Drums - Cooper Heffley

    Bass - Michael Tarabay

    Organ, Piano, Electric Guitar - Beau Bedford

    Vocals & Acoustic Guitar - Michael Paul Lawson

    Album artwork - Christian Ardner

    All songs written by Michael Paul Lawson, Head Above Water BMI

    For licensing, please email: info@headabovewatersongs.com

    © 2019 Michael Paul Lawson

    ℗ 2019 Head Above Water